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THE BOARDWALK-POINT COOK
'The Boardwalk' is a new Urban Land Corporation residential housing development
near Skeleton Creek, off the Forsyth Road Hoppers Crossing turn off on
the Princes Highway. Graham Bentley Landscape Architects won the contract
to landscape the area including three entrance panels to the estate with
mosaics by Libby McKinnon.This is Libby's third project with GBLA, the other
two being the mosaic entrance panels to the Woodlands Industrial Estate
at Morabbin for Melbourne Water in 1994 and the City of Hobsons Bay entrance
icons for the City of Hobsons Bay in 1997.
Themes
Each of these mosaics depict aspects of local indigenous flora and fauna
and aim to promote a positive environmental statement. The design for 'The
Boardwalk' mosaic walls relates specifically to the local coastal environment
around Pt. Cook Coastal Park, the old Cheetham Saltworks, now owned by
Parks Victoria.
The front wall depicts local plant succulents, with a family of red
capped plovers who inhabit the mudflats at low tide. The middle wall represents
Lomandra or mat rush, an indigenous plant common to the area. The back
wall design depicts water birds common to the area, namely white faced
herons and sandpipers.
Dimensions
The design, fabrication and installation of the mosaic sections for
the three walls, a square area of about 32 sq. metres took about 5 months.
Each wall is 7 metres long and vary in height, from the lowest front wall
being 90 cm at its highest point to the highest wall, the back wall being
2.75 metres high.
Training
An interesting aspect of all large mosaic artworks for public places
is whom to employ to assist.
There is no accredited training in Australia in mosaic art and any number
of people are interested - some are already artists working in other mediums,
or tile layers used to installing metres and metres of tiles daily, to novices
who have the right mix of practical skills and patience. This project employed
all of the above for varying periods of time.
Initially, Libby was assisted by Yarraville artist Peter Nelson in mocking
up the three walls full size in cardboard to work out scale and viewing
angles. Artist Merryn Hansford (who last worked with Libby in 1998) worked
in the studio full time during the mosaic fabrication stage of the three
walls and worked most extensively on the very detailed front wall creating
the metres and metres of the succulent, 'disphyma' or pig face.
Rob di Vigilio, Ange and Jade of Flentlock Tiling who have installed
all of Libby's mosaics in public places in the last couple of years came
to her studio in Pipemakers Park to assist in the speedy fabrication and
installation of mosaics for the largest wall for the ULC launch of the housing
estate in late 1999.
Tony Fryer came to assist with the fabrication of the middle wall which
was completed in five weeks. He is an example of one of the mosaic novices
with practical skills and patience. His main task was to cut metres and
metres of ceramic wall tiles to a certain width and/or length and as he
became more familiar with the process he gradually started assisting Merryn
and Libby with the mosaic fabrication.
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